I'm gonna agree with crown here, the best option is really to find an angle where you get no popping. And it's not actually too hard, you don't have to be miles away from the target, simple adjust the angle.
I've found that with any pop filter (whether it's the built in ones on a Shure SM58, the thread-on windshield of a stereo recorder or a classic "net stocking" that you see in a studio) it never guarantees that no pop will occur.
Don't get me wrong, I'll
always put a pop filter on if available but it's not essential.
What you want to bear in mind is to not go
too much "off axis" of the mic, so that the sound gets thin and weak